Repertoire

ANONYMUS
A Collection of Original Scotch Tunes / The Berkes of Plunketty, Mr. McClanklaines Schotch measure, Keéle Cranke, Ginleing Georde, The Colliers Lass, The comers of Largo Areel, Stir her up and hold her ganging, Dick a Dollis, Holy Even [arr. Máté Vizeli] (1700)
The division flute / Greensleeves to a Ground (1704)
Lőcse (Leitschau/Levoca) Tabulature Book / Dances [arr. after László Czidra], Dances [arr. after István Kolozsi] (H2 17th c.)
Trencsén (Trencin) manuscrpit / “Trencséni verbunk” [arr. Máté Vizeli] (H2 18th c.)
Sepsiszentgyörgy manuscript / No. 154-155, 169, 168 [Polish dances for two violins] (1757)
Sinfonie di Varij Autori / Partite di Follia (18. sz. eleje)
Codex Vietoris / 63. Preludium, 56. Aria NB, 28. Curant, 42. Sarabanda, 43. NB, 31. Corant, 32. NB Corant, 33. Sarabanda, 34. NB Mascarada, 35. Darauff, 47. Polidora NB, 48. NB Runda, 22. Pargamasca [arr. Zsombor Németh & Máté Vizeli] (c. 1680)
Zayugróc (Uhrovec, Appony) Collection / C[horea]91, H[ungaricus]45, H[ungaricus]49 [arr. Zsombor Németh & Máté Vizeli] (1730)

d’ASTORGA, Emanuelle (1681–1736)
Stabat Mater (c. 1713)

BACH, Johann Sebastian (1685–1750)
„Am Abend aber desselbigen Sabbats”, BWV 42 (1725)
„Christ lag in Todes Banden”, BWV 4 (1707)
„Der Herr denket an uns”, BWV 196 / Sinfonia (1707–1708?)
„Ein feste Burg ist unser Gott”, BWV 80 (rev. ver., 1735?)
„Himmelskönig, sei wilkommen”, BWV 182 / Sinfonia (Grave, adagio) (1714-1724)
„Ich hatte viel bekümmernis”, BWV 21 / Sinfonia (Adagio assai) (1713-1723)
„Ich steh’ mit einem Fuss im Grabe”, BWV 156 / Sinfonia (Adagio) (1729)
„Nun komm, der Heiden Heiland”, BWV 61 (1714)
„Weinen, Klagen, Sorgen, Zagen”, BWV 12 (1714)
Alla breve, BWV 589 (1709?) (arr. Michael Rondeau)
Clavier Übung / Aria mit verschiedenen Verænderungen [Goldberg Variationen], BWV 988 – Var. 30: Quodlibet (1741)
Overture, BWV 1068 / II. Air (c. 1730)
Passio Domini nostri J.C. secundum Evangelistam Matthæum
, BWV 244 [Orchestra II]
Sei Solo a violino senza Basso accompagnato / Partia III, BWV 1006 – Gavotte en Rondeau, Menuet I-II, Bourée (c. 1720)
Six Concerts à plusieurs instruments [Brandenburgische Konzerte] / Concerto 6, BWV 1051 (1721)
Sonata 5, BWV 529 (1730)
Suites á Violoncello Solo senza Basso / Suite II, BWV 1008 – Allemande (1720)
Verschiedene Canones über die ersten acht Fundamental Noten vorheriger [Goldberg] Arie, BWV 1087 (1747–1748) [arr. Zsombor Németh]

BECKER, Dietrich (ca. 1623–ca. 1679)
Zwey-stimmiger Sonaten und Suiten / 26. Sonata, 27. Allmandt, 28. Courant, 29. Sarabanda, 30. Giguae [Sonata & Suite A-dur] (1674)

BIBER, Heinrich Ignaz Franz von (1644–1704)
Arien à 4, C 52 (1673)
Baletti lamentabili, C 59 (1670)
Mensa sonora, seu Musica instrumentalis, C. 69–74 (1680)
Mystery Sonatas / Annuntiation, C 90; Passagalia, C 106 (1678)
Requiem ex F con terza minore, C 8 (c. 1692)
Sonatæ violino solo […] Anno MDCLXXXI / Sonata III, C. 140 (1681)
Sonata Violine Solo representativa (Representatio Avium dal Biber), C 146 (1669?)

BLAVET, Michel (1700–1768)
Concerto à 4, GroF 710 (17401765)

BUXTEHUDE, Dietrich (1637–1707)
“Das newgebohrne Kindelein”, BuxWV 13 (1670?-1680?)
“Singet dem Herrn ein neues Liedt”, BuxWV 98 (before 1683)
VII Sonate à doi, op. 1 / Sonata III, BuxWV 254 (1694)
Sonata ex G à 3, BuxWV 271 (1690-1699)

CALDARA, Antonio (1670–1736)
Suonate da camera, op. 2 / Chiacona (1699)

CASTELLO, Dario (c. 1590–c. 1658)
Sonate concertate in stil moderno, libro primo / Sonata prima a due soprani (1621)
Sonate concertate in stil moderno, libro secondo / Sonata prima (1644)

CHARPENTIER, Marc-Antoine (1643–1704)
Le malade imaginaire, H.495 / excerpts (1673)

CHÉDEVILLE, Nicolas (17051782)
[pseudo-Vivaldi:] Il pastor fido, op. 13 / Sonata IV, RV 59 – III. Pastorale (1737)
Le Printemps, ou Les Saisons Amusantes (1739)

CORELLI, Arcangelo (1653–1713)
Sonate à tre […], op. 3 / Sonata II (1689)
12 Suonati a violino e violone o cimbalo, op. 5 / Sonata I; Sonata X (1700)

COUPERIN, François (1668–1733)
Concerts royaux / Premier Concert (1722)
Les Nations / Quatrième Ordre «La Piémontoise» (1726)

DUBOURG, Matthew (1703–1767)
Corelli’s Solos Grac’d by Doburg (!) / Sonnata XI – Gavotta: Allegro (c. 1721)

ESTERHÁZY Pál (1635–1713) (attr.)
Harmoniae Caelestis seu moelodiae musicae / 2. „Laetare, cor meum”, 3. „Puer natus”, 7. „Exsultet iam terra”, 21. „Cur fles, Iesu” (1711)

FALCONIERI, Andrea (1585/1586–1656)
Il primo libro […] / 3. L’Eroica; 15. Passacalle; 20. Battalla de Barabaso yerno de Satanas (1650)

FARINA, Carlo (1604–1639)
Ander Theil newer Paduanen, Gagliarden, Couranten, französischen Arien / Capriccio Stravagante (1627)

FUX, Johann Joseph (c. 1660–1741)
Synfonia à 3, K 331 (after 1701)

GEMINIANI, Francesco (1687–1762)
Sonates pour le Violoncelle et Basse Continue, op. 5 / Sonata III, H. 105 (1746)

GRANCINI, Michel Angelo (1605–1669)
Il Sesto Libro de Sacri Concerti, op.12 / Dulcis Christe (1646)

HAMMERSCHMIDT, Andreas (1611/1612–1675)
“Freuet euch, ihr Christen alle” (middle 17th c.)

HANDEL, Georg Frideric (1685–1759)
IX Sonatas or Trios, op. 2 / Sonata IV, HWV 389 (1733)
Seven Sonatas or Trios, op. 5 / Sonata I, HWV 396 (1739)
Neun deutche Arien / Singe Seele, Gott zum Preise, HWV 206; In den angenehmen Büschen, HWV 209 (1724-26)

HAYDN, Joseph (1732–1809)
6 Violin Solo mit Begleitung einer Viola / Sonata III, Hob.VI:3 (before 1775)
Trois duos, op. 99 [arr. J. André] / Duetto I (1796)

KÁJONI János [CAIONI, Johann] (1629–1687) (coll.)
Kájoni kódex [Codex Caioni] / No. 250-262, 264, 266-268 [Dances] (1634-71)

KERLL, Johann Caspar (1627–1693)
Modulatio Organica / Battaglia (after 1675)

KODÁLY Zoltán (1882–1967)
Romance lyrique (1898)

KUSSER, Johann Sigismund (1660–1727)
Dances from the Folop Collection (H1 18th c.)

LALANDE, Michel Richard de (1657–1726)
Noels en Trio avec un Carillon, S.173.24 (H1 18th c.)

LÁNYI Zsuzsánna Eleonóra (?–?) (coll.)
Manuscript / 24, 112-116, 118, 177 [Hungarian dances] (1729)

LECLAIR, Jean-Marie (1697–1764)
Premier Livre de Sonates / Sonata II (1723)
Second Livre de Sonates / Sonata VIII (1728)

LOCKE, Matthew (ca. 1621–1677)
The Instrumental Musick [!] used in the Tempest (1667/1675)

LULLY, Jean-Baptiste (1632–1687)
Le bourgeois gentilhomme, LWV 43 / excerpts (1670)

MANFREDINI, Francesco Onofrio (1684–1762)
XII Sinfonie da Chiesa, op. 2 / Sinfonia XII (1709)

MARAIS, Marin (1656–1728)
Pieces en Trio / Suite II (1692)

MARINI, Biagio (1594–1663)
Compositioni varie per musica di camera, op. 13 / Sonata sopra ‘La Monica’ (1641)
Per Ogni Sorte d’Stromento, […], op. 22 / Sonata prima per 2 violini, Sopra fuggi dolente (1655)
Symphonie, […], op. 8 / Sonata terza (“Variata per il Violino”) (1629)

MASCITTI, Michele (1664–1760)
Solos […], op. 5 / Sonata XII „Psyché” (1714)

MATTEIS, Nicola (fl. c. 1670–c. 1714)
Ayres for the Violin […] / Aria malinconica; Diverse Bizzarie sopra la Vecchia Sarabanda o pur Ciaccona (1679)
Other Ayrs and Pieces […] / Ground after the Scotch Humour; Violino solo, ad imitatione della Trombetta (1687)

MERULA, Tarquinio (1594/1595–1665)
Canzoni overo sonate concertate per chiesa e camera, op. 12 / La Chiaccona (1637)

MONTALBANO, Bartolomeo (c. 1598–1651)
Sinfonie […] / Sinfonia quarta (1629)

MONTEVERDI, Claudio (1567–1643)
Madrigali Guerrieri, et Amorosi / 2. Hor che’l ciel e la terra e’l vento tace, SV 147; 7. Ardo avvampo mi struggo, ardo accorete amici, SV 152; 11. Vago augelletto che cantando vai, SV 156; 16. Dolcissimo uscignolo, SV 161 (1638)

MOZART, Wolfgang Amadeus (1756–1791)
Sechs langsame Sätze und dreistimmige Fuge [nach J. S. Bach], K. 404a / No. 2, No. 4 (1780s)

MUFFAT, Georg (1653–1704)
Armonico Tributo (1682)
Sonata Violino Solo (1677)

NEGRI, Marc’Antonio (?–1624)
Affetti amorosi […] libro secondo / Sonata terza (1611)

OSWALD, Andreas (1634–1665)
Sonata à 3 violini (middle 17th c.)

PACHELBEL, Johann (1653–1706)
Kanon und Gigue, PWC 37, T. 337, PC 358 (c. 1694)

PEZ, Johann Christoph (1664–1716)
Concerto Pastorale (H1 18th c.)

PICCHI, Giovanni (1572–1643)
Intavolatura di balli d’arpicordo / Ballo Ongaro (1610)

PLAYFORD, John (1623–1686/7) (coll.)
The Dancing Master / Siege of Buda (1651) [arr. Dénes Harmath]

PRAETORIUS, Michael (1571–1621)
Musae Sioniae 6. Theil / 53. Es ist ein Ros entsprungen (1609)

PURCELL, Henry (1759–1795)
Sonnata’s of III Parts / Sonnata VI, Z. 795 (1683)
The Fairy Queen, Z. 629 (1692) / excerpts
Musica Sacra / An evening hymn, Z. 193 (1688)
Timon of Athens, Z. 632 / Curtain Tune on a Ground (1694)

ROSEINGRAVE, Thomas (1688–1766)
XII Solos / Sonata III (1730)

ROSENMÜLLER, Johann (1619–1684)
Sonatae à 2,3,4 e 5 stromenti da arco et altri / Sonata prima à 2 (1682)

ROSSI, Salomone (c. 1570–c. 1630)
Varie sonate libro terza, op.12 / Sinfonia nona (1613)

RÓZSAVÖLGYI Márk (1789–1848)
Nógrádi emlék (1843)
Serkentő (1846)
Halljuk! (1847)

SAMMARTINI, Giuseppe (1695–1750)
XII Sonate, op. 3 / Sonata XII (1743)

SARRO, Domenico Natale (1679–1744)
Concerto con 2 violini, flauto e basso (ca. 1728–33)

SCHALE, Christian Friedrich (1713–1800)
Harpsichord Concerto in G major (H2 18th c.)
Harpsichord Concerto in c minor (c. 1760)

SCHMELZER, Johann Heinrich (c. 1620/23–1680)
Balletti à 4 “Pastorella” (1670)
Duodena Selectarum Sonatarum / Sonatina prima (1659)
Sonata “Pastorale” (H2 17th c.)
Sonatae unarum fidium / Sonata tertia; Sonata quinta (1664)

SCARLATTI, Alessandro (1660–1725)
Concerti di flauto […] di diversi autori / Sonata septa (H1 18th c.)
Concerti di flauto
[…] di diversi autori / Sonata nona (H1 18th c.)

SPEER, Georg Daniel (1636–1707)
Grund-richtiger Unterricht der Musicalischen Kunst / Sonaten mit 2 Viol-Brazen (1687)
Musicalisch-Türckischer Eulenspiegel / No. 1-24; No. 33-41 (1688)
Recens Fabricatus Labor / 24. Sonata und Party mit 5 Violen (1685)

STORACE, Bernardo (17. sz.)
Selva di varie compositioni […] / Ballo della battaglia (17. sz.) [arr. Zsombor Németh]

SZERÉNYI Béla (1996–)
“Kalotaszeg” – Harpsichord Concerto in B flat minor in one movement (2015)

TARDITI, Orazio (1602–1677)
Fantasia “La Romana” (17. sz.)

TELEMANN, Georg Philipp (1681–1767)
18 Canons Mélodieux / Sonata en Canon I, TWV 40:118 (1735)
Concerto Polon., TWV 43:G7 (H1 18th c.)
Concerto [for recorder, viola da gamba & strings], TWV 52:a1 (Middle 18th c.)
Concerto [for flute, recorder & strings], TWV 52:e1 (before 1740)
6 Concerts et 6 Suites / Concerto III, TWV 42:A3 (1734)
Der getreue Music-Meister / “Gulliver suite”, TWV 40:108; Violoncello solo, TWV 41:D6 (1728-29)
12 Fantasia [per violino solo] / Fantasia V, TWV 40:18; Fantasia VII, TWV 40:20 (1735)
Nouveaux quatuors en six suites / Quatuor VI, TWV 43:e4 (1738)
Sonata a 3, TWV 42:d10 (H1 18. th c.)
Sonata a Violino, Viola e Cembalo, TWV 42:D11 (H1 18. th c.)

III Trietti methodici e Scherzi / Trietti III, TWV 42:d1 (1731)
Ouverture-Suite, TWV 55:D6 (H1 18th c.)

TURINI, Francesco (c. 1595–1656)
Madrigali à una due, tre Voci con alcune sonatea due et a tre / Sonata à 3 „Il Corisino“ (1621)

UCCELLINI, Marco (1603/1610–1680)
Sonate over Canzoni, op.5 / Sonata quarta (1649)
Sinfonie Broscarecie, op. 8 / A Gran Battaglia (1660)

VALENTINI, Giuseppe (1681–1653)
XII Sinfonie a Tre, op. 1 / XII. Sinfonia per il Santissimo Natale (1701)

VIERDANCK, Johann (c. 1605–1646)
Ander Theil Darinnen begriffen etliche Capricci, Canzoni und Sonaten […] / 4. Sonata mit zwey Violinen; 10. Capricco mit 3 Cornetten oder Violinen, 11. Capricco mit 3 Cornetten oder Violinen (1641)

VITALI, Giovanni Battista (1632–1692)
Partite sopra diverse sonate per violino / Bergamasca, Toccata, Forlana (c. 1680)

VIVALDI, Antonio (1678–1741)
Cantata “Era la notte quando i suoi splendori”, RV 655 (1717–1735)
Cantata “Perché son molli i prati”, RV 681 (H1 18th c.)
Cantata “Si levi dal pensier”, RV 665 (1717–1724)
Cantata “Usignoletto bello”, RV 796 (1717–1735)
Concerto, RV 92 (1720-1724)
Concerto, RV 108 (1720-1724)
Concerto “alla rustica”, RV 151 (H1 18th c.)
Concerto “conca”, RV 163 (1730–1731)
Concerto “il cucú”, RV 335 (1717)
Concerto “il gardelino”, RV 428 (1729)
Concerto “la notte”, RV 439 (1729)
Concerto “la pastorella”, RV 95 (H1 18th c.)
Concerto “la tempesta di mare”, RV 433 (1729)
Concerto “Madrigalesco”, RV 129 (H1 18th c.)
Concerto per Flauto [in do minore], RV 441 (H1 18th c.)
Sinfonia “al Santo Sepolcro”, RV 169 (H1 18th c.)
Gloria, RV 589 (c. 1715)
VI Sonatas Violoncello Solo col Basso, [op. 14] / Sonata III, RV 43 (1740)
Suonate à Violino solo, e Basso per il Cembalo [Manchester Sonatas] / Sonata II, RV 12 (1726/27)
Suonate da camera a tre, op. 1 / Sonata XII “La Follia”, RV 63 (1705)
Prima Suonata à 2 Violini dà camera dà suonarsi anco senza basso, RV 70 (1720-1724)
2a Suonata à 2 Violini dà camera dà suonarsi anco senza basso, RV 71 (1720-1724)
3a Suonata à 2 [Violini] dà camera dà suonarsi anco senza basso, RV 68 (1720-1724)
[4a] Suonata à 2 Violini dà camera dà suonarsi anco senza basso, RV 77 (1720-1724)

WALTHER, Johann Jakob (1650–1717)
Hortulus chelicus / I. Preludio, Aria, Corrente, Sarabanda, Giga, Finale; XV. Scherzo D’Augelli con il Cuccu (1688)

WECKMANN, Matthias (1616 körül–1674)
Motetto concertato “Weine nicht, es hat überwunden” (1663)

WESTHOFF, Johann Paul (1656–1705)
Suite IV (1696)

WOHLMUTH, Johann (1643–1724)
Miserere (1696)
Starck Virginal Book / excerpts (1689)

ZIMMERMANN, Anton (1741–1781)
Sei Quartetti […], op. 3 / Quartetto II (1776/77)